The books below has been picked by the staff og DPanswers as the best books about creativity and composition.
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The Photographer's Eye: Composition and Design for Better Digital Photos
by Michael Freeman Developing “the photograhic eye”
takes skill, insight and practice. In this brilliant book
photographer Michael Freeman imparts the rules of design and
composition like no other photographer. Then he goes on to
challenge those rules in chapters focusing on the intents and
processes of creative photography. While my reading of Freeman's
book probably has left me short of acquiring “the
eye”, it as at least made me a more aware of the
elements of design and the process that goes into capturing a
better image than before. (Also read our full length review.) |
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Learning to See Creatively: Design, Color & Composition in Photography
by Bryan Peterson Using examples from his own portfolio,
photographer Bryan Peterson deconstructs creativity for
photographers. He details the basic techniques that went into
taking a particular photo, and also provides insights on how
to improve upon it. He also tells readers how to avoid the visual
pitfalls that can lead to dull, uninventive photographs. This
revised edition features the latest information on digital
photography and post-processing.
Learning to See Creatively is a well-written guide for
photographers looking for a fresh perspective on creativity,
colour and composition. |
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John Shaw's Landscape Photography
by John Shaw To become a good landscape photographer it is more
important to develope a personal response to nature, than to have
a large budget for travel and equipment. In this book, written
for beginner landscape photographers, Shaw explains how to use and
control the basic tools of photography: Camera, lenses, filters,
and exposure, and how to be creative with the use of light,
composition and colour. Throughout the book, the emphasis is
clearly on landscape photography. This distinguishes this book
from many other introductory books. The book is from 1994 and
some of the material about film and equipment is now dated, but
the part's about creativity and composition is as relevant
today as it was in 1994. |